In an album essentially traditional in tone and tenor, this song is the odd man out. All in all, one ought to wait for the picturization to make the song more appealing.Īrtists: Shravana Bhargavi, Mickey J Meyer Rahul Nambiar's sharp vocals here give way to some mildness. However, the lyrics are entertaining and come with large doses of playfulness. One feels there is nothing worthy of humming. The album's only full-fledged romantic song is a mild disappointment. Mickey resorts to a soft melodic influence and laces folkish music with it. The lyrics are faithful to folkish traditions. Their vocals are striking and bring to the song much-needed zing, without sounding too rustic. Anjana and Ramya Behara choruse with aplomb. In the Telugu countryside where such songs are commonplace, family names are invoked in a light-veined manner. The song is in the mould of those folk songs sung by the village belles.
Mickey's music only complements the excellent work done by the lyricist and the singer.
Meaning-laden lyrics ensure that the song makes a profound sense. One also feels the song will be that much more elevated on the big screen when we see it as part of the story. The lyrics mirror the protagonist's optimism and, it goes without saying, Karthik's vocals that come with youthfulness and purity are apt for this number. The song is themed around the film's story. All in all, an electrifying song in the sense of a family number. The lyrics get poetic as well as metaphysical when the protagonist wonders if he has to discover something that spans lives.
Sreeram Chandra has that charming voice that eminently suits the song, which is about a youngster rediscovering his roots. But over here, he improvises upon it and ensures the celebratory mood is well carried throughout. Mickey has that unmistakable Happy Days hangover. Mickey's music makes an impact because he mixes the traditional with the modern, especially through instrumentation. The lyrics are an agglomeration of a few purely Telugu words. Padma and Sridevi choruse in the traditional mould their vocals come with that pristine Carnatic touch. The song serves the purpose of glorifying the hero as that idea one. The song is in the typical Srikanth Addala mould, complete with celebratory mood, lively faces, inspiring lyrics, and a family get-together. Peppered with a good number of English words/phrases (a new for a family song, for example, ABCD is given the acronym of Anybody can dance), the song exhorts one and all to "live for the moment" and shoo away the worries. Lyrics by Sirivennela Seetharama Sastry are markedly everyday in terms of the language used.
Mickey J Meyer's music is inspired from his own previous works, with a pronounced Happy Days hangover seen. The singer has a baritone that is exhilarating in its sound, so it's more than apt for a song of this genre. Abhay Jodhpurkar, Padma, Sridevi, Sriram Chandra, Karthik, Anjana Sowmya, Ramya Behra, Rahul Nambiar, Shravana Bhargavi, Mickey J Meyer are the singers.Ībhay Jodhpurkar, who has sung 'Ya Ya' in the recently-released A Aa, has rendered this number. Anjana Soumya and Ramya Behara hold together the reggae-style start and eventual faux-folk move in Naidorintikada really well.The album comes with lyrics from Sirivennela Seetharama Sastry, Srikanth Addala and Krishna Chaitanya, besides two folklore songs. His trademark sound is apparent in Aata paatalaadu, with Karthik handling the solo in his inimitable style, while the extended, repetitive hooks are the highlight of the song, besides fantastic chorus parts. He gets Padma and Sridevi to sing it with the requisite piety, but in an ambient new package. Mickey’s modern, pop-take on Madhurashtakam, in Madhuram madhuram, is fantastic. Mickey seems intent on covering electronic genre in Bala tripuramani and Put your hands up as well – while the latter is decent bubblegum-pop with obviously catchy dance hooks that are at times cringe-worthy, the former rocks, in Rahul Nambiar’s vocals and foot-tapping sound Mickey layers this one with his inventive world-music’ish interludes too, for added effect. The title song too carries the electronic sound, coupled with a neat title hook, this time headlined by Sreeramachandra. Vacchindi kada avakasam no doubt has the strong AVICII flavor, but the Telugu-EDM song is great, catchy fun, led wonderfully by Abhay Jodhpurkar.
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